Youra is a simply beautiful, classy and elegant calligraphy font. Can be used for various purposes.
such as logos, wedding invitation, t-shirt, letterhead, signage, posters etc. Features OpenType including alternates, ligatures and multiple language support.
Download Visaka Font Family From Putracetol
Introducing Visaka, a Vintage Display Typeface. Classic, Elegant , Unique and Luxury merged into one.
Visaka is great for any kind of display purpose from logos, T-shirts, apparel, quotes, handwritten quotes, product packaging, tittle header, posters, merchandising, social media, labels, branding & greeting cards.
Download Crazer Font Family From Atom
Download Peronel Font Family From Tanincreate
Download Dynamique Font Family From PizzaDude.dk
I wouldn't recommend that you use this font for massive text, or text written in CAPS ... but then again, go ahead and try - I even kerned all the capital letters ... just in case that you would do something so crazy! :)
Dynamique is a kind of a "straight out of the highway" grid-font. But then again, not ... if you use the lowercase alone, you have this almost monospaced font - try starting every word with a capital letter, and let it end with the alternate ligature, your words suddenly got even more power!
If you want to go lightspeed - then use the same technique, but only with the italic version!
Download TOMO Fango Font Family From TOMO Fonts
Download Bleak Font Family From Andinistas
@andinistas presents Bleak , an experimental font designed by #carlosfabiancg. Bleak is based on the imaginative use of contrast applied in the empty space and on the dramatic distributions of the wide and compressed horizontal of more than 400 textured symmetric capitals inspired by compositions of the Lissitzky, Theo van Doesburg, among others. In the Europe of the 20s, scarce resources prevailed, which gave these great artists the firm determination and dedication to create a visual vocabulary, characteristic of the composition with movable types of wood and metal. As they did not readily dispose of the forms of the letters they required, they did not hesitate to construct them with metal rulers, ornaments and other improvised pieces and remains and obtained in the forgotten corners of the typographic composition workshop.
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