Isobel was created with geometry in mind, this modern sans serif is super clean and crisp. Isobel comes in 5 weights and accompanying italics. Designed to be clear and clean, it would work perfectly for graphic and display use such as marketing, branding, websites, games and apps.
Download Nisse Font Family From Typoforge Studio
Say hello to a new Typoforge member! Nisse is a display font family that consists of 4 styles (including italics). The regular and rough versions differ in the amount of wear. It’s inspired by Rex typeface first published by „The Jan Idzikowski and Co. Foundry“ in 1930.
Nisse has a high amount of detail making it ideal for large prints and poster design. It is specified by a huge amount of automatic alternates. Each basic latin letter has five versions, the numbers have thee versions and extended latin letters have two versions.
Download Barlington Font Family From Mega Type
Barlington is a monoline script that is classic, vintage, and fun. This font can be used easily, even in mixing and matching with other fonts so that it can provide alternatives and new sensations for designers or craftsmen, in working on various projects. This font can be used for various purposes such as logos, wedding invitations, t-shirts, letterhead, signage, labels, news, posters, badges, and more.
Barlington comes with uppercase letters, lowercase letters, numbers, punctuation, and so many variations on each character including OpenType alternatives, and multiple language support.
If you have any question, don't hesitate to contact me by email : megatype04@gmail.com
Thanks so much for looking and enjoy it!
Download Alishba Font Family From Nandatype Studio
Alishba is a handcrafted font with a regular and bold vibe. It was handmade with an irregular baseline and is equipped with alternatives and ligatures. It can be used to add a natural touch to your stationery designs, quotes, branding, logos, greeting cards, t-shirts, packaging designs, posters and more.
Download Arqua Font Family From DubbioGusto
I took Arquà’s curvy lines from some details in art nuveau posters from late 1800 / early ‘900, then I added to the mix a little bit of elegance with some weird contrast (look at the S). One hour in the hoven and a modern looking display font came out in 2 weights: Goodboy and the doppelganger Badboy perfect to mix up.